Finding
a soul mate
After
wandering for some time he came to live with an old comrade of his called
Perunelli Krishnan Vaidyar. This gentleman was a very erudite scholar
in Sanskrit. Apart from being a poet of great merit, he was a pioneer
in the theatrical art of Kerala and spent most of his time in presenting
his own plays on the stage. He attracted a large crowd of literary enthusiasts
and art critics around him. Among them there was a great genius that
had an insight into the secrets of art and sciences. He was an expert
in the rhythmic art of drumming. In addition to this he was conversant
with all the rules implied in the rhetorics of the Vedas. He could easily
sketch people in their varied moods. He amused himself by giving demonstrations
of all the possible variations in drumming. This unusual man is known
by different names, but his original name was Ayyappan. Officially he
was Shanmughadasan. Afterwards he was known as Kunjan Pillai. He was
entrusted with the duty of a monitor by his master and so was called
Chattampi. As this gentleman wandered like a recluse and lived a life
of piety, he became popularly known as Chattampi Swami.
In
many respects Nanu and Chattampi Swami were very different. Nanu Asan
was a man of restraint. He spoke only scantily. He was both gentle and
dignified when he himself related to others. Being supersensitive to
the suffering of his fellow men Nanu Asan was seen most of the time
somewhat in a sad mood like that of Jesus Christ. This is not to suggest
that he did not know the uncontaminated bliss of the real self. Chattampi
Swami was outgoing and was even provocative in his humor and argumentation.
His critical acumen was very sharp and he did not allow pretenders to
escape his Scathing criticism.' If Nanu Asan abhorred erotics and the
erotic company' of women, Chattampi Swami approached erotics with the
'masterly mind of a poetic genius and he made little difference of man
and women in sharing his erudition and the wisdom born of his keen observation.
In
spite of these differences Nanu Asan and Chattampi Swami loved and respected
each other as fellow-seekers.
In those days the frontiers of spiritual search were not very clearly
defined. Astrology, medicine, alchemy and Yoga were considered as subjects
of allied interest. Most Vedantins were also yogins. Nanu Asan and Chattampi
Swami also wanted to become proficient in Yoga. Chattampi Swami who
then was an adept in Yoga gave his friend certain instructions on Yoga
and Tantra.
Seeing
Nanu Asan's interest in Yoga, Chattampi Swami took him to his Yoga teacher
who was in the service of the British Resident in Trivandrum. This Yogi
was known as Thycattu Ayyavu his exact name is not known. The fact that
he is remembered today both as a Brahmin as a Pariah shows that he might
have lived a life that was beyond the frontiers of caste prejudices.
The relation of Chattampi Swami and Narayana Guru with Thycattu Ayyavu
is known to posterity only from the accounts of their devotees. It seems
both of them loved and respected their teacher very much. Some people
believed that Chattampi Swami initiated Nanu Asan into an esoteric mantra.
On that account they insist that Chattampi Swami should be recognized
as the spiritual preceptor of Narayana Guru. Narayana Guru did not consider
himself to be a disciple of any particular person. He once said that
his Guru was God and Man. When the controversy on Narayana Guru's relationship
with Chattampi Swami became heated up his own disciple Tampi (afterwards
Nataraja Guru) asked him of the rumored Guruhood of Chattampi Swami.
He said' he had no objection to any one thinking of Chattampi Swami
as his Guru. Chattampi Swami always looked upon Nanu Asan as an equal
and made no claim for himself as his Guru. Unfortunately devotees of
both masters made an ugly issue of this. Nanu Asan always referred to
Chattampi Swami intimately as 'Chattampi' and described him to others
as a "veritable Vyasa of our time." The Guru even qualified Chattampi
Swami as a sat guru.
Even
though Nanu Asan became proficient in Yogic discipline his thirst for
illumination was not quenched by what he derived from his experience
of Hatha yoga.
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